#U HE DIVA SYNTH SOFTWARE#

The Triple VCO section is based on a MiniMoog with some important additions and differences (which I could probably talk about better if I had spent more time with the original). LetвЂ™s take a look at where each oscillator draws its inspiration from.

ItвЂ™s fast, itвЂ™s fun and it sounds really great. It further builds on this by offering an arpeggiator tab and several FX, all without leaving the main screen вЂ“ while several more advanced options (like oscillator drift) are quickly accessible through additional tabs. It follows that up by offering features not found in the emulated synthesizers (for example continuous waveform variation in one case and FM in another) and by adding the ability to use up to a 6x stack (unison) mode on the oscillator output section (which means a max of 18 voices per note if youвЂ™re using the Triple VCO mode, for example). If youвЂ™ve never used zero-feedback filters before, you are in for a treat.

#U HE DIVA SYNTH SOFTWARE#

The increasingly competitive software synthesizer section of the virtual instrument market asks each product one deceptively simple question: what makes you special? For u-he Diva ($179 USD), the answer starts with вЂњsound quality.вЂќ Diva meticulously models the eccentricities of the core components of several of the most desirable vintage (and in the case of вЂњDigitalвЂќ mode, somewhat more modern) synthesizers in the form of their oscillators and filters (typically low-pass and high-pass, but thereвЂ™s variation) at a level that few other plug-ins even attempt, let alone succeed at. It begs us to ask the question вЂњwho needs hardware?вЂќ. Diva is u-heвЂ™s magnificent homage to the world of analog synthesizer gear.

U he diva synth